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Hawthorne, Nathaniel, 1804-1864

"House of the Seven Gables"

His dark, square
countenance, with its almost shaggy depth of eyebrows, was
naturally impressive, and would, perhaps, have been rather stern,
had not the gentleman considerately taken upon himself to
mitigate the harsh effect by a look of exceeding good-humor and
benevolence. Owing, however, to a somewhat massive accumulation
of animal substance about the lower region of his face, the look
was, perhaps, unctuous rather than spiritual, and had, so to speak,
a kind of fleshly effulgence, not altogether so satisfactory as he
doubtless intended it to be. A susceptible observer, at any rate,
might have regarded it as affording very little evidence of the
general benignity of soul whereof it purported to be the outward
reflection. And if the observer chanced to be ill-natured, as well
as acute and susceptible, he would probably suspect that the smile
on the gentleman's face was a good deal akin to the shine on his
boots, and that each must have cost him and his boot-black,
respectively, a good deal of hard labor to bring out and
preserve them.
As the stranger entered the little shop, where the projection of
the second story and the thick foliage of the elm-tree, as well as
the commodities at the window, created a sort of gray medium, his smile
grew as intense as if he had set his heart on counteracting the whole
gloom of the atmosphere (besides any moral gloom pertaining to
Hepzibah and her inmates) by the unassisted light of his countenance.


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