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"Slave Narratives: a Folk History of Slavery in the United States From Interviews with Former Slaves Arkansas Narratives, Part 6"


"No, I never did dance, but I sure could play baseball and make de home
runs! My main hobby, as you calls it, was de show business. You remember
de niggah minstrels we used to put on. I was always stage manager
and could sing baritone a little. Ed Williamson and Tom Nick was de
principal dancers, and Tom would make up all de plays. What? Stole a
unifawm coat of yours? Why, I never knowed Tom to do anything like that!
Anyway, he was a good-hearted niggah--but you dunno what he might do.
Yes, I still takes out a show occasionally to de towns around Pope
and Yell and Johnson counties, and folks treat us mighty fine. Big
crowds--played to $47.00 clear money at Clarksville. Usually take about
eight and ten in our comp'ny, boys and gals--and we give em a real hot
minstrel show.
"De old show days? Never kin forgit em! I was stage manager of de old
opery house here, you remember, for ten years, and worked around de
old printin' office downstairs for seven years. No, I don't mean stage
manager--I mean property man--yes, had to rustle de props. And did we
have road shows dem days! Richards & Pringle's Georgia minstrels, de
Nashville students, Lyman Twins, Barlow Brothers Minstrels, and--oh,
ever so many more--yes, Daisy, de Missouri Girl, wid Fred Raymond. Never
kin forgit old black Billy Kersands, wid his mouf a mile wide!
"De songs we used to sing in old days when I was a kid after de War
wasn't no purtier dan what we used to sing wid our own minstrel show
when we was at our best twenty-five and thirty years ago; songs like
'Jungletown,' 'Red Wing,' and 'Mammy's Li'l Alabama Coon.


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